I want what happened in the movie last week to happen this week; otherwise, what's life all about anyway? (我要上星期的情节跟这星期的情节一样,否则人生还有什么意义 ?)
简评:在这座虚幻与现实的永恒围城中,伍迪•艾伦不仅精妙地剖露了电影机器的效用及观影心理机制,还将狂热影迷的痴情念想完整投射在银幕之上。于是,每一格胶片都浸染上了半梦半醒的气息与难以割舍的迷影情结。
30. 《银翼*手》(1982)

It's too bad she won't live! But then again, who does? (可惜她无法存活。可是,又有谁能真正存活呢?)
I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time... like tears in rain... Time to die.
(我所见过的事情,你们人类绝对无法置信。我目睹了战船在猎户星座的边缘中弹,燃起熊熊火光。我见过C射线划过了“唐怀瑟之门”那幽暗的宇宙空间。然而所有这些片段和瞬间,都将湮没于时间的洪流里……就像泪水消逝在雨中一样……死期到了。)
简评:在雨雾迷蒙霓虹闪闪弃楼林立的洛城苍穹下,在追逐与逃亡中,在爱恨交织里,影片静静地抛出对生死、人性、造物主的追问。复制人洛伊一度强悍有力,同时又活出了人类的细腻情感,而人类的孱弱与麻木则渐露狰容,唯有时间与死亡一视同仁。
31. 《现代启示录》(1979)

I love the smell of napalm in the morning. (我喜欢早晨汽油弹的味道。)
简评:通过表现主义的色彩与景观,影片将威拉德上尉在深入丛林的过程中逐步扭曲畸变的精神世界外化出来,揭示了战争狂人与普通人间只有一线相隔,一如没落庄园主妻子的喃喃细语:“你的身体里住着两个人,一个负责*戮,一个懂得去爱”(There are two of you, don't you see? One that kills... and one that loves.)。
32. 《出租车司机》(1976)

You talkin' to me? You talkin' to me? You talkin' to me? Then who the hell else are you talking... you talking to me? Well I'm the only one here. Who the fuck do you think you're talking to? Oh yeah? OK. (你在跟我说话吗?你在跟我说话吗?你在跟我说话吗?你在跟谁说话……你在跟我说话吗?这里只有我在,你以为你在跟谁说话?是吗?好吧。)
简评:特拉维斯(罗伯特•德尼罗饰演)不断重复的话语和充满愤恨、迷惘、孤独的神情,使这一对镜自语的场景成为20世纪70年代家喻户晓的文化符号,其后也为《怒火青春》等反叛性的影片所致敬。
33. 《电视台风云》(1976)

